Apostrophe Ess: Meditations on Writing and Editing during a Genocide

Saloojee, Ozayr

doi:https://doi.org/10.60866/CAM.155

Publication:
Apostrophe Ess: Meditations on Writing and Editing during a Genocide

creativeworkseries.issn	0966-1026
dc.contributor.author	Saloojee, Ozayr
dc.date.accessioned	2024-12-31T21:21:27Z
dc.date.available	2024-12-31T21:21:27Z
dc.date.issued	2024-12-31
dc.description.abstract	This text is a mediation on architectural writing and editing during genocide, structured as a parallel essay — one in the main text, and another in the footnotes — it is an attempted combination of manifesto, elegy, declaration, and invitation. Grounded in the idea that writing is a form of critical, spatial practice, the text reflects on Achille Mbembe’s notion of disenclosure as a pry-bar to wedge open a tender and direct engagement with architecture’s complicity in the ongoing erasure of Palestinian lifeworlds.
dc.identifier.uri	https://diamond-oa.lib.cam.ac.uk/handle/1812/220
dc.identifier.uri	https://doi.org/10.60866/CAM.155
dc.language.iso	eng
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 International	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject	Writing
dc.subject	Spatial Practice
dc.subject	Architecture
dc.subject	Palestine
dc.subject	Genocide
dc.title	Apostrophe Ess: Meditations on Writing and Editing during a Genocide
dspace.entity.type	Publication
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